Two More Videos from Joe’s First Gig

We’ve received some good feedback about Joe’s first gig. As promised, here are two more songs from Memorial Day weekend.

First is When I’m Gone, which Joe dedicated to the troops and his father. Billy Martindale knocks it out of the park!

As well, for you classic rock enthusiasts, the guys did Southern Cross, by Crosby, Stills & Nash.

Blind Film Director’s First Gig as a Musician

Blind director and writer Joseph M. Monks can’t seem to sit down. Among his most recent endeavours was picking up the guitar. Over Memorial Day weekend he took the stage at Backstreets Sports Bar.

It was a birthday present for his mother that was supposed to happen last November, but health issues forced Monks into the hospital. 

“Back in November (Black Friday, to be exact), we were going to pack the bar, sneak my Mom out for dinner, and then bring her to Backstreets, where I was going to pull this exact same stunt,” Monks said. “She’d never heard me play, except on YouTube, so this was going to be quite the surprise.”

Unfortunately, a viral infection floored Monks the week of Black Friday and put him in the hospital for a week. 

When a new date was available, Monks, along with guitarist/singer Billy Martindale and bass player John Fairfield delivered the goods to a packed bar. Monks’ mother had no idea what was going on, and spent the bulk of the time wiping tears.

Here are the first three videos from the gig.  We’ll be posting more of them in the coming weeks.

Joe Monks’ String Trauma [VIDEO]

It’s been a week of firsts, fun and bloody fingers.

Joseph M. Monks, along with cohorts singer/guitarist Billy Martindale and bass player John Fairfield, took to a home-shoot of Bad Moon Rising. In a few hours they converted a living room into an on-the-fly studio, using a green screen, three iPhones, a Peavy sound system and multiple vintage guitars.

The idea was a quick project akin to “Pop Up Video”, but the real treat was John busting out a ’74 Rickenbacker. Billy jammed with a ’68 Fender Jaguar and a ’70s era Ovation electric/acoustic. Joe was strumming an Epiphone, and can’t wait till he gets to play another buddy’s ’77 Aria.


Joe had this to say about the shoot: “My fingers are, no BS, bloody. Bad enough I chew my nails down to nothing (habit formed from years of wearing hockey gloves), but after 3+ hours on Monday afternoon, another hour at home late Monday night, 4+ hours and multiple takes of the same songs over and over? Yikes. I may use one of the nicest strings on the market (Elixir ultra light 10s), but if you’re only an intermediate player who doesn’t gig and is just learning new songs to play in the backyard or at the beach? Almost 9 hours in a 24 hour span is not your usual routine.”

Be sure to let us know what you think.


A Decade of Darkness

Ten years ago today, I went blind. The final longshot, last-ditch surgery that was meant to save at least a fraction of my eyesight failed, thus ending an 18-month odyssey from light to dark. Happened the day before Spider-Man, one of the few films in a couple of years I’d been looking forward to catching, opened.

Were there dark days? Sure, of course there were. But not as many as you might think. The day of the surgery wasn’t actually all that bad. I was full of painkillers, and wide awake. Not doped up, but pain-free. The next day (since I don’t usually take painkillers), the pain came. And that, well, that was a pretty miserable goddamned day. That was the day – the one day-spent wondering, “What if?”, laying around in bed, and, more importantly, contemplating, “What next?”

The following day, I began teaching myself to type again (yes, guilty as charged. Notorious hunt-and-peck typist, yours truly was). But I did what I always do – I went to work.

One of the things that kept floating to the surface that day in the middle, being morose about it all, was this: I knew the dark. I mean, I really knew it. I’d won awards for my horror stories in high school. Some of those stories got me honorable mention in contests for college writers. Some undoubtedly helped get me accepted into every college I applied to but one. (And, even some I didn’t, including an Ivy League school.) I’d gotten rave reviews for my comic book horror stories, some of which drew fan letters – and some which drew such hateful, vile responses that I knew I’d written a winner. People called to interview me. People booked me to be a guest at their conventions. People flew me all over the country to have me be at their show or store to sign books. Books that contained stories that ran the gamut from classic horror to noir suspense to full-on splatterpunk.

I knew the dark. I’d just have to navigate my way through it on a full-time basis now.

I got the chance to throw ideas at some foreign producers for a TV pilot. They bought my story, not the ones being pitched by the guy who owned the show property. I didn’t know it at the time, but I wandered into uncharted territory when I became the first blind guy to direct a feature film. I endured the death of a long-term friendship over that movie, when I discovered that the attention it was getting and the horror community’s response to it made that ex-friend try to sell the flick behind my back.

Dark days, indeed.

I was a motorcycle-ridin’, ice-hockey all-star, playing on two softball teams, and working at a company that published big-boob men’s mags, for which I sometimes contributed as a photographer. And then one day, I was blind. I was, literally and figuratively, completely in the dark.

But I was comfortable there. Always had been. Pretty sure I always will be.

My first feature film has a distribution deal. A company run by a guy who was a fan of my comic book work back in the day is selling the foreign rights. I have a TV pilot that I’m hawking. I have a slew of great reviews, and more piling up with my latest film efforts. My next shoot? Oh, hell yeah, one of the darkest pieces I’ve ever written. Two scripts that I’m shopping? The term ‘grim’ has been thrown around a lot.

There’s dark days. And there’s darker days.

And sometimes, even from this deep in the shadows, there are brilliantly bright ones. The day I completed my novel, Torn to Pieces. The day I wrapped the best piece of script writing I’ve done yet, on Visions of Sarah. Even where no light can penetrate, you have to accept that somewhere, the sun is shining. And, there is always something new waiting for you up ahead.

Unless you’re in a burning building, take the warmth on your face as a positive sign.

–Joe Monks

May 2, 2012

PS: Enjoy the video. Remember, I’m just headin’ down the acoustic path, the electric’s a guilty pleasure. 😉

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Currently listening to: Return (Coming Home) by The Cruxshadows