Catch Joe in the final video from Backstreets Sports Bar, performing one specifically for his Mom, and the one dedicated to his Dad, who passed away today in 2012.
We’ve received some good feedback about Joe’s first gig. As promised, here are two more songs from Memorial Day weekend.
First is When I’m Gone, which Joe dedicated to the troops and his father. Billy Martindale knocks it out of the park!
As well, for you classic rock enthusiasts, the guys did Southern Cross, by Crosby, Stills & Nash.
Blind director and writer Joseph M. Monks can’t seem to sit down. Among his most recent endeavours was picking up the guitar. Over Memorial Day weekend he took the stage at Backstreets Sports Bar.
It was a birthday present for his mother that was supposed to happen last November, but health issues forced Monks into the hospital.
“Back in November (Black Friday, to be exact), we were going to pack the bar, sneak my Mom out for dinner, and then bring her to Backstreets, where I was going to pull this exact same stunt,” Monks said. “She’d never heard me play, except on YouTube, so this was going to be quite the surprise.”
Unfortunately, a viral infection floored Monks the week of Black Friday and put him in the hospital for a week.
When a new date was available, Monks, along with guitarist/singer Billy Martindale and bass player John Fairfield delivered the goods to a packed bar. Monks’ mother had no idea what was going on, and spent the bulk of the time wiping tears.
Here are the first three videos from the gig. We’ll be posting more of them in the coming weeks.
It’s been a week of firsts, fun and bloody fingers.
Joseph M. Monks, along with cohorts singer/guitarist Billy Martindale and bass player John Fairfield, took to a home-shoot of Bad Moon Rising. In a few hours they converted a living room into an on-the-fly studio, using a green screen, three iPhones, a Peavy sound system and multiple vintage guitars.
The idea was a quick project akin to “Pop Up Video”, but the real treat was John busting out a ’74 Rickenbacker. Billy jammed with a ’68 Fender Jaguar and a ’70s era Ovation electric/acoustic. Joe was strumming an Epiphone, and can’t wait till he gets to play another buddy’s ’77 Aria.
Joe had this to say about the shoot: “My fingers are, no BS, bloody. Bad enough I chew my nails down to nothing (habit formed from years of wearing hockey gloves), but after 3+ hours on Monday afternoon, another hour at home late Monday night, 4+ hours and multiple takes of the same songs over and over? Yikes. I may use one of the nicest strings on the market (Elixir ultra light 10s), but if you’re only an intermediate player who doesn’t gig and is just learning new songs to play in the backyard or at the beach? Almost 9 hours in a 24 hour span is not your usual routine.”
Be sure to let us know what you think.
Couple months back, Pam told me about a film festival contest for commercials with a horror theme. Turns out the festival was Denise Gossett’s Shriekfest, a long-running California event that I love to promote because I know Denise from my earlier work and she runs one of the best in the country.
A one minute commercial hyping Shriekfest’s 13th year? No brainer. I was in. Unfortunately, weather killed my original idea. We had horrendous rain all summer, and it just didn’t let up enough to allow me to shoot the original concept. So, I went to a backup possibility. Problem was, I couldn’t assemble the necessary crew to get it done on such short notice.
The contest deadline was fast approaching, and for a day, I thought about just not shooting anything. Then, I had the idea to do a spoof commercial that could be shot without much crew, hardly any cast, and with total control over the location. I scripted it out, got some recommendations, and with only a couple days to pull it together, made it happen.
During the shoot, I got it in mind that maybe, regardless of how we did in the contest, I should figure out some way to multi-purpose the thing. We were all there, after all, makeup was set, cameras were rolling, why not?
So, we did some alternate takes, and bingo, the end-product was just what I wanted. BackStreets, our favorite watering hole and place to see live music, uploaded the spot yesterday. Sometime this coming week, it’ll be on their main site, and we’re talking with a local TV station about airing it.
Shriekfest is going on right now, which makes this even cooler.
Having multiple outlets running my spot isn’t something I expected, especially when I had to strip it down like this. Still, I’m thrilled about what we accomplished, basically in four and a half hours in one room without a professional makeup artist or the cameraman I’d expected to be behind the lens.
Fly-by-the-seat-of-your-pants filmmaking? Sure was. Successful? Hell yeah, beyond my wildest dreams. Here’s the extended cut, which allowed us to get a little more creative and have a lot more fun. Hope you like it. Denise sure had nice things to say about it, and if it’s good enough for Shriekfest and BackStreets, that’s good enough for me.